Showing posts with label Battles. Show all posts
Showing posts with label Battles. Show all posts
Wednesday, January 11, 2012
Seekae: +Dome - Album Review
Seekae
+Dome
Rating: Grrrr
Finding a middle ground between avant electro/guitar based bands such as Battles and PVT, and more anchored IDM fare from Boards of Canada and Aphex Twin, Aussie trio Seekae (pronounced C.K.)locate a delicate balance of electronic experimentation and more traditional rock instrumentation. Akin to recent releases from Mount Kimbie and the LA Beat scene promulgated by Flying Lotus, +Dome is a restlessly experimental album that never fails to feed the brain while also making emotional touchstones. The album draws from a multitude of influences; there are hints of J Dilla hop-hop beats, Black Dog/Plaid style IDM layering, pastoral IDM, and a host of other genres. This is not to say the album is scattershot or schizophrenic; everything is used in service of the track and the flow of the album. The tracks are pretty split evenly from more beat heavy, dense explorations and quieter, ambient leaning compositions. While these quieter tracks balance out the more experimental nature of the album, it is these more aggressive tracks that draw me back again and again. The delicate, traditional opening guitars of "3" lead into dense layers of distorted synths and thumping beats, which then morph into an amazing crescendo of rising keyboards before the beats take over once again.
"Gnor" uses live drums to give the track and interesting edge, the deceptively quiet track ramps up the throbbing bass and keyboards at the end.
The gentle nature of most of the tracks is completely upended with grinding Beat Music scene drum programming, harsh bass buzz, and almost proto-industrial/hip-hop kick of the track "Yodel."
The more ambient, instrumental tracks have so many hidden treasures, each listen unveiling something new. The title track "+Dome" is a beautiful layering of shuffling beats, drone piano, clattering percussion and distorted vocal samples. The real drums add a nice contrast to the electronics, providing warmth and propulsion.
"Blood Bank" slides along on a trippy beat, with high-pitched synth lines and a sing-songy, manipulated vocal sample.
Seekae - Blood Bank by Machining
"Mingus" builds from a muffled beat and angelic choral synths, stepping up the beats and background atmospherics, rising into a furiously dense mix of electronics.
The pacing of the album suffers a little towards the end, when the last three tracks almost ditch the beats altogether, forming a coda of ambient washes. From the plaintive drones of "Rock's Performances," to the final acoustic guitars and hazy vocals of "You'll,"
the tracks sort of fade the album out a little too gently. I was hoping for a more bang than a whimper, however, when the soundscapes are as good as they are on +Dome, it is a minor quibble. Seekae show they definitely know how to play with their sound and take it bit by bit towards something new and exciting. There is a nice playfulness and willingness to follow their sound down whatever path it takes. While this is a hair short of being a masterful work, I see brilliant things for this talented band in the future.
Rating Scale:
Chilfos: masterpiece; coolest thing I've heard in ages.
Woof Daddy: excellent; just a hair away from being a masterpiece.
Grrrr: very good; will definitely be considered for my top releases of the year.
Yeah Daddy Make Me Want It: good; definitely invites further listens and peaks one's interest for more material.
Meh: not horrible, but certainly not great; could have either been polished, trimmed, or re-thought.
Jeez Lady: what the hell happened? Just plain bad. They should hang their heads in shame and be forced to listen to Lady Gaga ad nauseam as penance.
Tragicistani: so bad, armed villagers with pitchforks and torches should run the artist out of the country for inflicting this abomination on the human race.
Labels:
+dome,
album review,
Battles,
Boards of Canada,
electronic,
Flying Lotus,
grrrr,
PVT,
seekae
Tuesday, May 17, 2011
Videos of the Week
Here is my latest roundup of videos I thought were cool:
Uniquely bizarre video from Battles which fits the song perfectly.
James Blake performing "The Wilhelm Scream" on Later with Jools Holland.
I can't say I care for this song all that much, but the video is seriously sweet. It was directed and stars Jon Hamm, helping out a lost little puppet.
Shot in the towns surrounding the Salton Sea, here is the latest video from dubstep star Rusko. I like the original mix of the song, but don't love it. Below is the Netsky remix which I vastly prefer:
While Swedish dream poppers jj will always be one of the worst live shows I have ever seen, I still enjoy their drugged out Baleric pop. This is a video shot in Hong Kong and Singapore for the single "Angels" from their mixtape Kills.
More creepiness from Planningtorock. This is the second single and video from her upcoming album set for release on May 24th.
Bizarre fan made video for Clams Casino song "I'm God" which samples Imogen Heap.
Uniquely bizarre video from Battles which fits the song perfectly.
James Blake performing "The Wilhelm Scream" on Later with Jools Holland.
I can't say I care for this song all that much, but the video is seriously sweet. It was directed and stars Jon Hamm, helping out a lost little puppet.
Shot in the towns surrounding the Salton Sea, here is the latest video from dubstep star Rusko. I like the original mix of the song, but don't love it. Below is the Netsky remix which I vastly prefer:
While Swedish dream poppers jj will always be one of the worst live shows I have ever seen, I still enjoy their drugged out Baleric pop. This is a video shot in Hong Kong and Singapore for the single "Angels" from their mixtape Kills.
More creepiness from Planningtorock. This is the second single and video from her upcoming album set for release on May 24th.
Bizarre fan made video for Clams Casino song "I'm God" which samples Imogen Heap.
Sunday, May 15, 2011
Videos of the Week
Here is my latest roundup of videos I thought were cool:
Uniquely bizarre video from Battles which fits the song perfectly.
James Blake performing "The Wilhelm Scream" on Later with Jools Holland.
I can't say I care for this song all that much, but the video is seriously sweet. It was directed and stars Jon Hamm, helping out a lost little puppet.
Shot in the towns surrounding the Salton Sea, here is the latest video from dubstep star Rusko. I like the original mix of the song, but don't love it. Below is the Netsky remix which I vastly prefer:
While Swedish dream poppers jj will always be one of the worst live shows I have ever seen, I still enjoy their drugged out Baleric pop. This is a video shot in Hong Kong and Singapore for the single "Angels" from their mixtape Kills.
More creepiness from Planningtorock. This is the second single and video from her upcoming album set for release on May 24th.
Bizarre fan made video for Clams Casino song "I'm God" which samples Imogen Heap.
Uniquely bizarre video from Battles which fits the song perfectly.
James Blake performing "The Wilhelm Scream" on Later with Jools Holland.
I can't say I care for this song all that much, but the video is seriously sweet. It was directed and stars Jon Hamm, helping out a lost little puppet.
Shot in the towns surrounding the Salton Sea, here is the latest video from dubstep star Rusko. I like the original mix of the song, but don't love it. Below is the Netsky remix which I vastly prefer:
While Swedish dream poppers jj will always be one of the worst live shows I have ever seen, I still enjoy their drugged out Baleric pop. This is a video shot in Hong Kong and Singapore for the single "Angels" from their mixtape Kills.
More creepiness from Planningtorock. This is the second single and video from her upcoming album set for release on May 24th.
Bizarre fan made video for Clams Casino song "I'm God" which samples Imogen Heap.
Labels:
Battles,
Clams Casino,
James Blake,
jj,
Jon Hamm,
Planningtorock,
Rusko
Tuesday, May 3, 2011
Battles: Gloss Drop
Battles
Gloss Drop
Rating: Meh
Battles' first album, Mirrored, was a huge surprise when it dropped out of nowhere back in 2007. It was experimental, quirky, challenging, goofy, and fun at the same time. The songs were endlessly inventive, and I was constantly finding new things lurking in the mix. The band famously insisted that there were no front men, each member bringing their own stamp to each song; each contribution providing a necessary component to the track, if removed would have spelled disaster. Thus it was with shock that Tyondai Braxton left the group, and I wondered if, or how they would replace him. Battles decided not to replace him and continue as a trio, enlisting the help of several vocalists to fill in some blanks. The resulting album is Gloss Drop. It is definitely a transitional album, the band seeming unsure about how to continue with the loss of Braxton. While it is not the unmitigated disaster it could have been, the weak moments far overshadow the stronger ones.
When Battles stick to their strength (quirky instrumentals) they still create some fascinatingly bizarre music. Lead track "Africastle," moves dexterously from post-punk guitar washes and plonky synths into a guitar raveup propelled by John Stanier's drum machine precise skin work.
01 Africastle by mrfinkster
"Futura" locks into a driving groove before erupting into a psychedelic raveup of guitar, organ and keyboards.
03 Futura by mrfinkster
"Inchworm" sounds almost like a beefed up Animal Collective track, featuring lots of swirling, undulating synths and bass drones.
04 Inchworm by mrfinkster
"Wall Streeet," works itself up into a frenzy of dense tribal drumming and goofy keyboard sounds.
05 Wall Streeet by mrfinkster
Even the snippet of a track "Dominican Fade," has a jauntiness that echoes some of the best moments of Mirrored.
07 Dominican Fade by mrfinkster
Aside from these tracks, the rest of the album is pretty much a train wreck. Too many times they string together aimless instrumentals ("White Electric"); snippets of tracks that either lack in ideas or don't work with the idea they have ("Toddler" and "Rolls Bayce"); or try to force in a guest vocalist to add interest. What was great about Mirrored was that there really were no vocals, it was usually Braxton's voice manipulated and processed, becoming just another instrument in the mix. But utilizing name vocalists this time around, the songs become at best ordinary, and in worst case downright unlistenable.
"My Machines," features Gary Numan on vocals and honestly makes me skip the track each time it comes on. Over a Wire-esque drum track and looping guitars, Numan's voice mumbles, mutters, and howls through the practically atonal track.
06 My Machines (Featuring Gary Numan) by TCMFG
First single "Ice Cream," features Chilean electronic artist Matias Aguayo on vocals, attempting to recapture the glory of Braxton's vocal manipulations, and it all bogs down in uninspired, Phish-style jamming.
Ice Cream (Featuring Matias Aguayo) by BATTLES
"Sweetie & Shag" is by far the most straightforward track on the album, but even the vocals of Blonde Redhead's Kazu Makino can't save it from diving off the cliff into repetition.
08 Sweetie & Shag (Featuring Kazu Makino) by mrfinkster
And I don't fully understand the appeal of using the Boredoms singer Yamantaka Eye on closer "Sundome." Musically it is one of the best tracks on the album, but is derailed by his nonsensical and quite irritating vocal bellowing.
12 Sundome (Featuring Yamantaka Eye) by mrfinkster
Unlike Mirrored, which was perfectly paced and laser focused, Gloss Drop finds Battles completely confused as to purpose and direction. It appears the band tried to make up for losing Braxton by adding the guest vocalists, but instead of seamlessly integrated them into the fold, the vocalists only stand out like sore thumbs adding to the confusion. Based on the tracks I did like, none of which featured vocals at all, Battles still has something there to recommend. The band just needs to realize, like many other bands that lose integral members, that you can't bring in something to take the place of the loss, you either need to adapt with what you have, or strike out in a new direction.
Rating Guide
Chilfos: masterpiece; coolest thing I've heard in ages.
Woof Daddy: excellent; just a hair away from being a masterpiece.
Grrrr: very good; will definitely be considered for my top releases of the year.
Yeah Daddy Make Me Want It: good; definitely invites further listens and peaks one's interest for more material.
Meh: not horrible, but certainly not great; could have either been polished, trimmed, or re-thought.
Jeez Lady: what the hell happened? Just plain bad. They should hang their heads in shame and be forced to listen to Lady Gaga ad nauseam as penance.
Tragicistani: so bad, armed villagers with pitchforks and torches should run the artist out of the country for inflicting this abomination on the human race.
Labels:
album review,
Battles,
Gloss Drop,
Meh,
mirrored,
music
Tuesday, March 22, 2011
Battles: Gloss Drop
Battles new album Gloss Drop is set to drop on June 7th. Above is the artwork, and you can also pre-order the album and download the first single "Ice Cream" here.
Ice Cream (Featuring Matias Aguayo) by BATTLES
Here is the tracklist for the album:
1. AFRICASTLE
2. ICE CREAM (FEATURING MATIAS AGUAYO)
3. FUTURA
4. INCHWORM
5. WALL STREET
6. MY MACHINES (FEATURING GARY NUMAN)
7. DOMINICAN FADE
8. SWEETIE & SHAG (FEATURING KAZU MAKINO)
9. TODDLER
10. ROLLS BAYCE
11. WHITE ELECTRIC
12. SUNDOME (FEATURING YAMANTAKA EYE)
Thursday, March 10, 2011
Battles: "Ice Cream" (featuring Matias Aguyao)
Battles returns with the first single from their upcoming sophomore album Gloss Drop. Despite the loss of lead singer Tyondai Braxton, the band still sounds like Battles, keeping their loopy humor intact. "Ice Cream" starts off disjointed, but all the balls in the air eventually catch up with each other turning into a lovely, oddball track. Listen to the track below. The album is set for release on June 6.
Battles - Ice Cream (2011) by grahamangus
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