It is finally the end of the year, and I have studiously been compiling my year end lists. Today I will show my top videos of the year, next week will reveal my Top 100 songs of the year, and the week after I will show my Top Albums of the year. Without further ado here are the best videos of the year (in no particular order):
The Weeknd - "The Knowing"
Dystopian future videos seemed to be in vogue this year, and The Weeknd seemed to have the best of them. Fluid visuals complement this standout track from their debut mixtape.
Skrillex - "First of the Year"
Skrillex was everywhere this year and ended things with a spectacular video which starts out completely creepy, but then transforms into something empowering and killer. An almost perfect update to Aphex Twin's "Come to Daddy" video.
Shabazz Palaces - "Black Up"
This hypnotic, mesmerizing video will haunt you for days.
Canyons - "See Blind Through"
As if emerging from a lost 80s music video cocoon, Canyon's trippy video fits well with the loopy take on 80s house music.
Rihanna - "We Found Love"
One of Rihanna's best tracks gets the Requiem for a Dream treatment, UK rave style.
St. Vincent - "Cruel"
Creepy, funny clip from St. Vincent.
Wild Beasts - "Albatross"
Quirky first single from Wild Beasts' album Smother gets an evocative video treatment.
Alex Clare - "Up All Night"
Crash and burn video that goes perfectly with this track.
I personally don't care for Fleet Foxes music all that much, however, this video is so damn gorgeous. I love the animation as well as the haunting storyline.
Two more weeks until Christmas; time goes by so fast now. Here are the videos this week that got me in the holiday spirit:
More slick, electro from IAMX, a.k.a. Chris Corner, formerly of Sneaker Pimps.
Although the song has been out for well over a year, Azari & III have released the "official video" for their amazing track "Reckless (For Your Love)."
Awesome new song from Major Lazer gets a very awkward video.
Here are the latest videos that shook my money maker:
It's only been 8 years since their last album, but electronic duo Plaid return with Scintilli, and "35 Summers" is the first track to be released. The twinkly, almost beatless IDM track has a very odd, aquatic video.
Arty clip from Violens. It is being touted as a new single, however, it was originally released on their debut album last year. Still, it is a good song.
Just the latest videos that have been grabbing my attention:
Explosions In The Sky have been around awhile but I have never really been that into them. For some reason, they all of a sudden clicked for me. Their new album is phenomenal and I love this lead track.
Stunning visuals in this video from Hooray For Earth. Same director did Bath's video for "Lovely Bloodflow."
Video for Beastie Boys new single "Make Some Noise."
My favorite song on the otherwise just ok debut from Holy Ghost! This video has the duo's fathers playing them. It's a pretty great clip, which sort of borrows from the feel of their shot by shot cover of the New Order video for "Confusion," from their last single.
Holy Ghost! Holy Ghost!
Rating: Yeah Daddy Make Me Want It
Holy Ghost! have been around awhile, releasing amazing dance punk singles like "Hold On" and putting out amazing remixes for artists like LCD Soundsystem, Phoenix, and MGMT. Their debut album was always on its way but long delayed. In the crowded dance/electronic music field, it is not unheard of for artists to only put out singles, however, Holy Ghost! have always seemed more of the album artist variety. So, finally, the finished product is here. I knew it would either blow me away or leave me wanting. Holy Ghost! is not the second coming nor is it the disaster it could have been; its just a little north of disappointing. "Hold On" is included here in its original form, and there are songs that are of that quality: the bouncy "Wait And See," the sunny tribute to the late Jerry Fuchs "Jam For Jerry," and the dance floor ready "It's Not Over." But too many times, the beats get lazy and the songs journey into genericland. I am always the first to admit I am more of an album person, but when a band puts out an album that contains the singles they've released over the past three years and only a handful of new songs, it seems like a cheat. Perhaps, in the grand scheme of things, Holy Ghost! should just stick to releasing singles, because, to be honest, they are what is pushing my ranking up from Meh.
Craft Spells Idle Labor
Rating: Yeah Daddy Make Me Want It
Craft Spells' debut album Idle Labor travels in the same territory as 80s revivalists/chillwave acts such as Twin Shadow, Memory Tapes, and Toro Y Moi. The songs all feature delightfully tinny drum machines, echoing/chiming guitars, and soaring synths, borrowing from forbearers such as New Order, The Smiths, and Echo and the Bunnymen. I don't think it is just coincidence that the album cover blatantly recalls Power, Corruption, and Lies. When they hit their heights, as on lead song "For The Ages," with its gorgeous interlocking guitars and synths, and on "Scandinavian Crush," and its sing-song melody, you get the sense that the sky is the limit for this band. And for the first half of the album, the band is well on their game, unfortunately, by the back half, the melodies that were so fresh at the beginning get recycled and the ideas begin to run out. Idle Labor could have been a masterful EP, setting the stage for a proper debut that could have been classic. There is enough here though that shows this is a band to watch out for. Give them a little more time to mature, and some more money to get in a proper studio, and we'll be hearing a lot more of this up and coming band.
Kyle Bobby Dunnn Ways of Meaning
Rating: Grrrr
Drone albums are notoriously difficult for me to review, mainly because there is such a variety of styles within the genre, it is hard to judge one against another. It really all comes down to whether I have an emotional connection to the music. Kyle Bobby Dunn's latest album Ways of Meaning, builds its tracks over guitar and organ, creating a lovely sense of space and time. The tracks are subtle; drawing you in slowly, hypnotizing you with their lucid power. Once enveloped in the album, your mind clears and it becomes a meditative experience. Each time I listen to the record, I find myself amazed at how quickly it passes, lost in my own sense of reverie. Dunn has stated that his tracks are born from personal moments, but that he wants "the minutiae of experience to pass through the grooves of the vinyl to the listener to act as a salve for our collective emptiness." I for one, am grateful for his art, which allows the mind to clear out the obtrusive noisiness of existence and find peace and clarity.
Peter Bjorn and John Gimme Some
Rating: Yeah Daddy Make Me Want It
Writer's Block put Peter Bjorn and John on the map with the ubiquitous single "Young Folks," that was as impossible to dislike as it was impossible to escape from. Quite like a teenager rebelling against their parents' wishes, PB&J's follow up, Living Thing, did everything it could to be the anti-Writer's Block. Gone were the hooks and fun songs, and instead, what was left was a long slog through discordant material that was difficult to enjoy. Although it is not quite the home run Writer's Block was, Gimme Some is definitely a step in the right direction. Instead of fighting what made them great in the first place, they are embracing the hooks and strong songwriting that is their bread and butter. From the pop rush of "Second Chance," chiming "May Be Macabre," and Kraut-rock inspired "I Know You Don't Love Me," the album has way more hits than missteps, and is hopefully a sign that the next album will be a full on pop masterpiece.
Rating Guide
Chilfos: masterpiece; coolest thing I've heard in ages.
Woof Daddy: excellent; just a hair away from being a masterpiece.
Grrrr: very good; will definitely be considered for my top releases of the year.
Yeah Daddy Make Me Want It: good; definitely invites further listens and peaks one's interest for more material.
Meh: not horrible, but certainly not great; could have either been polished, trimmed, or re-thought.
Jeez Lady: what the hell happened? Just plain bad. They should hang their heads in shame and be forced to listen to Lady Gaga ad nauseam as penance.
Tragicistani: so bad, armed villagers with pitchforks and torches should run the artist out of the country for inflicting this abomination on the human race.
