Monday, December 15, 2014

My Favorite 25 Albums of 2014: 25-21


It was an odd musical year for me, with a lot of strong releases coming out right at the beginning of the year then the rest of the year plodding along with many good, but disappointing records. This is one of the first years in a long time that I could not come up with 50 top records so, instead, I will be short and sweet this year with my Top 25:

25.

Phantogram - Voices

While not completely ditching the glitchy beats and edgy tension of their debut album Eyelid Movies, Phantogram's major label debut Voices does up the gloss factor more, and that push and pull between two worlds is what creates the magic this go around. Sarah Barthel and Josh Carter know their way around a hook, and blast forward with some of their catchiest singles like "Nothing but Trouble," "Black Out Days," and "Fall In Love;" but also can dial things back on the excellent ballads "Bill Murray" and "My Only Friend."

24.

Taylor Swift - 1989

1989 is a proudly glitzy, 80s synthpop throwback that wears its heart and influences on its sleeve. It's a bold move from the 25 year old Swift, and one that she expertly executes. While there will always be debate about the relevance of Swift's work, is she really brilliant or just brilliant at appropriating pop trends, there is almost no debate here that 1989 is the most hook-filled pop record of the year, and is just plain fun.

23.

Clark - Clark

When we reach the end of the world and are staring into the abyss for the last time, Clark's self-titled album is likely the soundtrack to the event. The music here is simultaneously humane and annihilating. Machines churn and burn against one another while small rays of light are briefly allowed in and, just as your body starts to feed off the warmth, Clark throws you back into the blistering maelstrom, tossing aside all hope of survival.

22.

The Juan Maclean - In a Dream

With the ending of LCD Soundsystem, The Juan MacLean became DFA Records' de facto flagship act. Known more for killer singles ("Happy House"), The Juan MacLean had put out good records, but never something consistent enough to be considered a "great" one. In a Dream is the first step in rectifying that situation. With only a couple of slight missteps, the record is a fun, buzzy analogue daydream, full of killer singles like the sleek "A Simple Design," the shimmering and trance-like "I've Waited So Long," and the day-glow house of "Here I Am."

21.

Cloud Nothings - Here and Nowhere Else

Sometimes you just crave a great rock n' roll record, with blistering, hook filled guitars, pounding drums, and rumbling bass lines; no muss no fuss rock. On their last record Attack On Memory, Cloud Nothings almost made a perfect record which, for me, was only hampered by some needlessly long songs that tended to overstay their welcome. Here, their latest record Here And Nowhere Else takes off brilliantly from that last record's template and aside from one 7 minute track, blasts through perfect three minute tracks full of amazing melodies, bratty attitude, and enough force to blow a building down. Moving from Steve Albini's more murky production on Attack On Memory to a clearer, more focused approach from John Congleton, Here And Nowhere else has a singular focus that propels the record forward at a breakneck pace, which makes each moment more dazzling than the next.


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